RETROCADE
RETROCADE
You Can See Everything turns Elizabeth Holmes’s final weeks into an unnerving study of control, performance and belief, with one bowl of eggs at its centre.
Nathan Fielder’s You Can See Everything turns the Elizabeth Holmes story into an unsettling study of trust, performance, language and documentary uncertainty.
Early reactions to You Can See Everything praise its audacity while warning that Nathan Fielder’s latest film may leave audiences unsettled and desperate to avoid spoilers.
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